Found Poems

One of my favorite poetry assignments the summer I spent at Breadloaf School of English was found poetry. As it happened, someone had left a copy of Archeology on the porch and I rescued it from the elements. Chat GPT tells me “Treasures of Tutankhamum” was probably still on its U.S. Tour at the time, so I think the article that caught my eye probably had something to do with that. I read the article and lifted existing lines to create a new 12-line poem. I’m still looking for it among my archives. My teacher, Lawrence Raab liked it. He encouraged me to continue and gave me an A for the course. I left there, finished up course work for an MA in English, with a feeling that I could do this, moreover, that I had to.

These days, a found poem could be one of my own, written in Notes on my smart phone.

For example:

Walking to the Horses, Shapleigh, Maine

Facing traffic – trucks, boat trailers,
give-a-damn motorcycles — I give
thanks for my two legs, their four,
the possibility that at least one of them
would lift its handsome head to look my way.
This is all I wanted in the moment,
possibly all I ever want. Or need.
I make my slow climb to the ranch house
with the huge American flag, catch a breath,
turn back for another long glimpse
of the horses, their glossy backs
reflecting only light.

At Grassy Waters

Our steps along this section
of boardwalk lead us here
again.
We call it a chapel for the way
the Cypress trees make an arch
over a collection of their roots resembling
a nativity scene. A stretch, I know
but sometimes, I see Buddha
here too, I swear. It depends on the light.

Two rocking chairs are motionless
until they hold our bodies
or catch a strong breeze.

The thatch above us is fragrant,
Reeds bend to the wind.
We have added nothing
but our presence for a brief time.
When we are done rocking
it will be as if we’d never been
here. So too the earth before
and after humans.

I’d love to know what you think of these. Use the comment section. Please share.

Forgotten Origin





At the Shapleigh Maine Baptist Church

the youth choir tunes up a fiddle

tap-taps the mike

woman in red hoodie presses

a Jesus Saves booklet  

into your reluctant palm  

Gotta love these kind strangers raising

funds for their free food locker

they woke up early to bake cloverleaf rolls

banana bread  blueberry muffins  mystery pie

for the bake sale

cleaned out dusty attics    a forgotten jumble

of odd cups  plates  pots missing their lids

wicker baskets  candle holders  linens

clothes  tools  toys  books

Take what you want — pay what you wish

On our way here roadside Trump sign fresh

as if for a new — or relentless — campaign

Forget the origin of this quiet desperation

at your peril

©Marika Stone July 28, 2021

Women + Climate Activism, Clearly

It’s time to bring these two together in my life: my passion for women as spoken word artists and climate activism.  No surprise, Eve Ensler is out front on this: the woman who made it ok to say vagina out loud is doing the same for climate change.  Her new one-woman show, In the Body of the World based on her acclaimed 2013 memoir, is being performed in New York City right now, and I would give much to be there.  But I will have to be content — and I am — to host a meeting of Women Aloud at my home tomorrow, to begin preparing for The Vagina Monologues 2017 at The Brewhouse Gallery, Lake Park, Fl.  And a new opportunity could be on the horizon for me/us.

no-gender-justice1This morning, I wrote this proposal to artist/activist colleagues who are co-curating a show in my area:

Proposal for The Box Gallery, The NEW American Patriot: A Climate Action Exhibition, July 1, 2016 through July 10, 2016

Vision:

Some of our most beloved poets and spoken word artists have been and are taking the role of shaman on behalf of climate crisis and our endangered ecosystem. Their prophetic, urgent warnings were being issued before the scientific community reached consensus that human-caused climate change threatened all of life. Their testimony about the living world of which we are a part, are a necessary act of patriotism for our times. These men and women express rage, despair, grief, and surprisingly, what Buddhist sage and teacher, Joanna Macy, calls ‘active hope,’ — the very act of creating art that we take into ourselves and act from. We should be putting their words on billboards, creating community service announcements from them, slipping them under every door, and reciting them to all who have ears to hear.  Because, as poet Greg Delanty’s book puts it, we have So Little Time.

Mission:

To create and perform a script of poetry/monologues/rants, both original and from derived sources (as permission is granted), for a series of live, 15-minute performances during The New American Patriot: A Climate Action Exhibition, at time(s) and location(s) to be determined and mutually agreed upon, for a maximum of three performances. Material will be organized thus:

  1. How we came to this
  2. What we risk losing
  3. What do our hearts say
  4. What we must now do

Logistics:

Performer(s) will need a designated performance space, high stool(s) and audio support for each 15-minute show. Recorded incidental music may be used to introduce and close each segment.

Respectfully submitted: Marika Stone, producer The Vagina Monologues and You Can’t Say That!, 2015, founder, Women Aloud, “a troupe of spoken word performers interested in exploring ideas and issues relevant to women of all ages. We are nonprofit. Proceeds from our shows will go to registered women’s charities.”

This is new territory. I’m both excited and terrified at the thought that my proposal could be accepted, which is a great place to be. Stay tuned.

The Box Gallery

Women Aloud

Wendell Berry on Climate

Green Writers Press